kareina: (Default)
 The Drachenwald Autumn Crown Tournament, AS LVIII, held by the Canton of Unikankare, Barony of Aarnimetsä, was a really fun event. Keldor and I were two of eight fighters to enter, none of whom have ever reigned over a Kingdom before. The full list of entrants was announced on 24 September:
  • Varakreivitär Kareina Talventytär fighting for the honour of the Honourable Lord Keldor av Skellitta
  • Honourable Lord Keldor av Skellitta fighting for the honour of Varakrevitär Kareina Talventytär
  • Vicomte Stigot Eke fighting for the honour of Lady Lofnheithir (Lo) Halvarsdotter
  • Lord Jan van Nyenrode fighting for the honour of Maestra Victoria Piera Rosselli
  • Sir Mikael Carhu fighting for the honour of Baroness Margaret Walsingham
  • Sir Jon fitz John fighting for the honour of Maestra Ellisif Gydasdottir
  • Vapaaherra Mikael Rantzow fighting for the honour of Vapaaherratar Rikissa Apilgaard
  • Lord Wilhelm Marsson fighting for the honour of Lady Emilia Murmelius
As soon as the list was out the people of Drachenwald begin their speculations—while none of us had won Crown before, some had been in the finals of Crown, and another had won Coronet. We are all reasonably well known, and we have lots of SCA experience, including several laurels, several baron/ess es, a couple of knights, etc. The consensus seemed to be that the tourney could go to pretty much anyone, but that the Kingdom would be in good hands no matter which pair should win.
 
The tradition in Drachenwald is to have boasts during the invocation ceremony for every pair entering—either bosting for themselves, or a herald speaking on their behalf. This time I choose to do our boasts myself, and had fun writing them.
 
We were presented in order of precedence, and since I stepped down as Princess of Oertha and received the title Varakreivitär (Viscountess) in January of 1986, while Stigot didn’t become a Vicomte till 2021, I got to go first which suited me very well. I opened with a short bit of praise for everyone entering, before I literally sung Keldor’s praises (to the tune of the Pavane Belle Qui Tiens Ma Vie), and then followed with a short boast for myself (to a tune I simplified (taking only the first six measures) from the Galliard for Belle Qui Tiens Ma Vie), the sheet music for both of which I found in Dells’s dance book.
 
Our boasts:
 
 Kareina sings Keldor's praises
 
Your Majesties, today the fates have truly smiled upon you, for the cream of Drachenwald’s warriors have gathered today, ready to test their metal and prove themselves worthy to be your Heirs. All of these nobles are well suited to serve the Dragon throne, yet I am here to call your attention to one who holds my heart and carries my favour on this day. To that end, I have written a pavane for my champion:
 
Keldor av Skellitta comes
before you now to fight.
His prowess echoes with drums
of war to sing his might.
He’ll slay you one and all
after the herald’s call.
He’ll slay you one and all
after the herald’s call.
 
Or, perhaps it shall come to
pass that he is struck down,
calling blows if they land true,
if so, we’ll yield the crown:
my heart does sing in song
to praise his honour strong.
My heart does sing in song
to praise his honour strong.
 
music for Keldor's boast
 
Your Majesties, I present my champion, Keldor. Furthermore, because all good pavanes need to be followed by a Gaillard: I have also prepared some words in my own behalf:
 
I shall also fight, Kareina is my name
dancing upon the field
with my brand-new shield,
for the honour of a man
that I hold so dear. For with
Keldor by my side, there’s glory in the game.
We are ready for the day,
let us enter in the fray!
For the honour of a man
that I hold so dear.
 
music for Kareina's boast
Your Majesties, should the fates so guide our hands, we stand ready to take our place as your heirs.
________________________________________
 
After I successfully performed both boasts, to both laughter and applause, we took our place to the side and listened as various heralds announced the remaining competitors, with plenty of good boasts about their skills, prowess, and experience. Then it was time for the tournament, but I felt that I had already accomplished my most important task of the day, so I was free to just enjoy the fighting.
 
As a fighter I have spent far, far, far more time off the field than on, so that I still count as a beginner, even though decades have elapsed since the first time I armoured up. Luckily, sometime between when I first learned to swing a sword and today it has become common for fighters to have one (or more) specific skill(s) they are working on to improve their fighting, and to set a personal “victory condition” for the day that will encourage their progress in that goal. Since I have always had a bad habit of letting my feet get rooted to the ground when fighting I set my primary goal for the day: Move my feet! (Dance!), with the companion goal of “Swing my sword!” And, because it is a good idea to have a bonus goal, if things go really well, I added “Hit someone!” but knew that if I didn’t manage the bonus, that would be ok too.
 
The tournament was run as a round-robin, with every fighter facing every other fighter, which meant that I fought seven people in a row. The bouts were “best two of three”, which meant that I fought 15 times—14 of which I moved my feet and swung my sword, and they hit me before I hit them. But one time I actually managed to hit the other guy in the head, with my stick… at the same time as he did the same to me. Having consistently achieved my goals, and even achieved my bonus goal, I was happy and content.
 
I didn’t pay close attention to the win/loss record of the other fighters, other than my champion—Keldor managed to kill most of his opponents at least one of the three bouts, and several times killed them two of the three bouts, to gain the point for the round.
 
After the first part of the tourney the other fighters knew it would be Stigot in the finals, as he had gone undefeated through the morning (ok, he sometimes lost one of the three bouts, but always rallied enough to take the other two), but they weren’t completely certain if there would need to be a semi-final bout or not. Nope, it turned out that Sir Mikael Carhu had more wins than the remaining fighters, who were mostly fairly closely matched—with a tie for third place, and two more only one point behind them.
 
The finals, was fought best of five, and it took all five bouts before Stigot claimed the field, the day, and the Kingdom for his beloved Lofnheithir.

kareina: (Default)
 I had a wonderful time at Höstdansen, the SCA event held by the Shire of Uma this weekend, at which we spent many hours dancing, and many hours singing, and many hours just enjoying the company of old friends and new.  Therefore I came home inspired to finally write the song to the theme of "Hav" (sea) that I need for next month's Norrskensbard competition.

I decided to write about the event that started the Viking Age:

 
Ut över havet där seglar en båt
mot Lindisfarne,
där man kan hitta en oskyddade vik,
med munkarnas alla skatter,
guld, silver, och även katter
och sidan textilier att ta med sig hem.

Järtecken visar att snart kommer de
mot Lindisfarne,
varningar i skyn av drakar av eld,
med munkarnas alla skatter,
guld, silver, och även katter
och sidan textilier att ta med sig hem.

Åttonde juni så kommer de fram
mot Lindisfarne,
året var sjuhundra nittiotre
med munkarnas alla skatter,
guld, silver, och även katter
och sidan textilier att ta med sig hem.

Munkarna fängslade, ser de tillbak
mot Lindisfarne,
över hav åkandes, mot nord, som del
av nor-män-nes alla skatter,
guld, silver, och även katter
och sidan textilier att ta med sig hem.
 
Which translates to:
 
Out over the ocean there sails a boat
towards Lindisfarne
There one can find an undefended bay
with all of the treasure of the monks,
gold, silver, and even cats, 
and silk textiles to take with one home.

Portents show that they are soon coming
towards Lindisfarne
warnings in the sky of dragons of fire
with all of the treasure of the monks,
gold, silver, and even cats, 
and silk textiles to take with one home.

The eighth of June they arrived
to Lindisfarne
the year it was seven hundred ninety three
with all of the treasure of the monks,
gold, silver, and even cats, 
and silk textiles to take with one home.

The monks The monks imprisoned look back
towards Lindisfarne,
traveling over the sea, to the north, as a part 
of all of the treasure of the Northmen,
gold, silver, and even cats, 
and silk textiles to take with one home.
 
This is a filk to the song Uti vår hage, a popular folk song known to pretty much every person in Sweden. Therefore, I am hoping that by printing out the lyrics and sheet music to bring to the event I can get people to sing along. Sadly, the original is very likely not at all period (the earliest recorded version dates to the 1800's, so it might be older than that, but I doubt if it is much older, but hopefully the part where everyone knows the tune will help people to enjoy it.

If anyone has any suggestions for improvement for the song, I would love to hear them, but if not, I think it will do just fine. Now I just need to decide which period song to perform, and what I should do for my Piece in a Period style.  


kareina: (Default)
I couldn't make it to 12th Night this weekend, but my song, Warriors of Drachenwald (to the tune of Turdion), went to the event without me, and participated the Drachenvision War Song competition that Isebetta, the incoming Queen, had called for the event. The song was beautifully performed by Alays de Lunel and Aibhilin inghean Daibhidh. I don't think the song would have won without their beautiful performance, which, much to my delight has been filmed and uploaded by Aodhan dha Cheist (husband to Alays).

When I first got the news I was in a bit of shock, I really didn't expect to win, and I guessed that their performance must have really helped. Then I saw the video, and now I know that their performance made all the difference. I had a lot of fun writing that song, and I am really grateful to both of them for the performance, and also truly grateful to the members of the Mists Bardic College, who worked the song over and gave me amazingly helpful comments that improved the song, even though I did not, as planned, skype in to the meeting (I was busy flying to Seattle just then).

I have been in a great mood all day, till I posted links to the video on FB, and suddenly realised how proud my mother would have been to hear about my winning the contest, and how much she would have enjoyed seeing the video, and then I started crying. I guess this means that I am up past my bedtime and I should do my yoga and get some rest. (It also means I miss my mommy, but that is rather to be expected, all things considered.)
kareina: (stitched)
Yesterday evening my friend Kaarina asked me to have a look at her documentation for her 12th Night A&S competition entry. Reading her poem and her write-up on the style she used for it inspired me to also want to enter one of my songs or poems. A reply to my quick note to Kingdom A&S confirmed that I wouldn't need to be present to enter, and it is ok if the piece has been used in a local competition, so long as it hasn't been entered at Kingdom. Therefore I have just spent the evening writing up a first draft of my documentation, during which I discovered that the Harley manuscript 978, in which Summer is icumen in first appears (f. 11v), is available on line. Even better, the song has a text-box insert in latin which explains that it is a round and the fact that the second voice begins at the location of the red cross in the sheet music. So totally cool! And something I never would have known if not for her inspiration to do this. (If anyone wants to see my documentation, leave a comment and I can send you a copy. Mom, I will just send you one anyway, you don't have to ask.)

To make things even better, Kaarina is willing to find some other singers to perform my song as a round at 12th Night. Sadly, I won't be at the event (which is being held in southern Finland the same weekend as I will be attending the wedding of a friend here in northern Sweden), but with luck someone will record it for me. It is a good thing I am not competitive at all, since I am competing against a woman who is so amazingly talented at song writing. She tells me she isn't competitive either, and is just happy to inspire people to do more music.

In other news, work is going well. While we had issues with the ICP-MS earlier in the week, and team viewer session with a tech in the UK sorted them out, and I am once again running trace element composition maps. My colleagues all want to get me to full time, as soon as the budget permits, and now that we are starting to get external users (paying customers) to the lab, the odds of this happening go up. Of course now that we have paying customers, I had to actually look up what my salary comes to by the hour, since our lab price for internal users and others from academia is one rate for the machine time, and the addition of my salary for the time I work on the job. Therefore I sent an email to accounting and asked "just what does it come to by the hour?". She replied by sending me a spreadsheet containing the salaries for everyone in our Division and how those monthly rates translates into hourly cost. This is a fascinating document. I mentioned this to one of my colleagues, and she said "yes, that information isn't secret", but I wouldn't have known where to find it before getting the spreadsheet. So, of course, I have used the filter option to compare people of different rank/job title. There isn't so much variation within a given rank (though, of course, there is some), but the highest paid person in our division (a chaired professor who is Very Good at getting us funding) does make about 2.6 times what I make. I was very pleased to note that there doesn't appear to be any gender-based difference in salary earned in our Division--the variation is totally related to job title, and in the upper levels if there is only one woman in the level she is either the highest or in the upper half of the group for that level (we often have only three our four people at a given level, which is how it happens that there are sometimes only one who happens to be female).

Tomorrow is Friday, which means I get to stay home, do house work, bake myself a birthday cake, and do other prep work for Saturday's party. It will be interesting to see how many people are able to make it to the party on Saturday, and how many of them are there at what times of the day.
kareina: (house)
I have mentioned repeatedly how weird our winter was this year, and how little snow we got. I just found this photo from a year ago on 21 April, 2013, which shows how much snow was left at the time:

spring 2013

Coincidentally, the earliest walkway photo progress I took this year was also on 21 April, as you can see, not a drop of snow remained on the ground:

April 2014

It truly was a weird, low-snow winter. Our next door neighbour normally has a big bonfire in his yard for Valborgsafton (31 April), but this year, while made ready the pile of logs weeks ago, he opted not to light it, because the field was naught but dry grass (last year the grass near the fire was still snow-covered), and he didn't want to risk starting a runaway fire.

Our choir normally performs traditional spring songs at the big Valborgasafton bonfire at the University, but this year, since we are such a small choir, we opted to instead go do two indoor performances at some old-folks homes, to bring spring to those who can't get out and see it for themselves. Afterwards half of us (which is to five--it is a SMALL choir this year) came over to our place and sang for the neighbours at their bbq--while they didn't have the bonfire lit, they did have a small fire for sausages etc.

I also found this photo, from March 2013, which shows why we still had a decent amount of snow left at the end of April last year:

March 2013

This year the deepest bit of snow in the yard was only about 1/3 of what we had left in March last year...

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