two gentle projects for a lazy day
Sep. 8th, 2017 09:46 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
kareinaStill feeling not entirely healthy, though also not really showing much in the way of symptoms, either (slight hint of discomfort in my throat if I swallow, but other than that nothing). With luck I will just get over it without ever feeling worse, but to be certain, I have taken it easy today.
Project #1 was making a template for decorating my hammer dulcimer. I think I have mentioned before that in an attempt to learn to read music I am trying to colour-code it (A=red, B=purple, C=blue, D=green, E=yellow, F=orange, G=brown). At first I was doing the colouring of the music in a drawing program, but it turns out that the uni printers are calibrated way too differently from my monitor, so that the colours which are easy to distinguish on the screen are hard to tell apart when printed (especially the brown-purple-blue-green and the red-orange). Therefore I have given up on that and am instead just using colour pencils to write on printouts of the sheet music. I had had little coloured dots, printed from the computer, that I glued down to the bridges of the dulcimer, but the quality of glue stick is variable, and some dots were coming off, and see above about the difficulties in telling the colours apart. I could mostly manage anyway, since I know the sequence, so the one just above the yellow has to be the orange, but that sequence of several in a row that look nearly the same makes it harder.
Therefore I have decided to invest in some paint and do decorative little swirly bits on the bridges in the colours, and, while I am at it, make the ones that are sharp or flat look different from the ones that are natural. The first step was to order the paint. The other day I checked the Swedish art supply store that David orders from, and noticed they had some sets of acrylic paint, but none of them seemed to contain all of the colours I needed. Therefore I sent them an email explaining what I wanted, and why it was important to be able to tell the colours apart, and could they recommend to me which sets and/or individual colours I should order? I wrote in English, but included a sentence in Swedish at the end saying they were welcome to reply in Swedish if they like, as I have no problems reading it. Not much more than 24 hours later I got a reply, in English (the writer confessed that it is his native language) stating that since none of their sets actually contains purple, I would be better off ordering individual colours, and he gave me the list of product numbers to get the full set I need. As soon as I placed my order I also filled in their contact form thanking them for awesome customer service, and naming the guy who had written.
Since the paint has been ordered, it was time to decide exactly what I will be doing with the paint, so opened up an old drawing of my dulcimer, with strings labeled as to which is which, and added a new layer to actually draw the bridges (which I measured). Then I added another layer to design the swirly bits to paint onto the bridges, and coloured them on screen to see how it would look. I decided to go with making the sharps and flats have only a thin line connecting the top and bottom swirls, but the naturals have a wide bit in the middle, too. Easy to tell them apart, but not distracting, either.
Then I printed a black and white version of the bridges and swirls, coloured them in with my coloured pencils (which I can easily tell apart), and tried sliding them under the strings and onto the bridges. It turns out that my spacing of the bridges wasn't quite right, so I needed to print and colour a couple of times before I managed to have a perfectly sized strip to label the strings (I also had to scrape away the remaining old glued on dots). I have tried playing from sheet music with these swirls under the strings, and it works. It will look much better when I have replaced that paper with the painted swirls, though I am not looking forward to having to loosen all of the strings enough to push them off of the bridges to do the painting and then tightening them again to the correct note. I will need to do them only a few at a time, I think.
Once that was done I spent an hour curled up on the couch reading, took a nap, read some more, and then was inspired to do a long-procrastinated project. Back in about 1989 or so my then-boyfriend, George, had a pair of wool dress trouser that he didn't want any more (shrunk in the wash? wearing out? tired of them? I don't recall why, but he gave them to me). They were much too big in the waist (even in those days, when I was much chubbier than I am today), but with a safety pin to hold them on they did just fine as a layer over silk or wool tights for cross country skiing. I have used them for many years, and over time the fabric in the crotch wore thin and then gone. At some point, years ago, I kinda patched them from the inside with scraps of some other wool, but that wasn't working so well anymore, since the holes had grown. They got stuck into the mending closet some unknown amount of time back, and largely forgotten.
Till late this summer, when I wanted something to wear on my legs while working outside on a cool, rainy day. Then I remembered them, checked my clothes cupboard and couldn't find them, checked the mending cupboard, and there they were. Still too big, still with holes in the crotch, but over wool tights they were just fine for working outside in not so nice weather. This time as I overlapped the waist huge amounts before pinning them on it occurred to me that it might be possible to cut away fabric from the inside of the thighs to get rid of the holes and take them in to actually fit.
Today I remembered that, and thought I would give it a try. Sure enough, looking closely at the legs, the damage was concentrated in the crotch such that a straight line up the back of the leg, from the ankel to the waist would just miss the damaged area, and the part below the holes, but between that line and the original inner leg seam looked wide enough to make some triangle gores for the crotch. So I gave it a try, and three hours later I have a pair of trousers that fit. I might have liked the thighs to be a little looser, but that wasn't possible given the fabric I was starting with, and they aren't exactly tight. Much to my delight I was able to do the entire project on the treadle sewing machine. I had expected that I wouldn't be able to do the second pass of the flat-fled seams on the legs, but I managed it.
Thinking that I couldn't do the finishing of the legs, I decided to try part of it anyway, to reduce the amount of hand-sewing that would be needed, so I first finished the back seam from the waist to the crotch (I didn't do anything to the front seam--it still has the original zipper), then sewed shut both legs, the opened it up and, starting from mid-upper thigh, started finishing that flat-felled seam, expecting that I would be able to manage from there, across the crotch, and down to about the same spot on the other leg.
However when I reached that point I realized that I could managed to crumple up the fabric behind the sewing machine foot and smooth out the fabric in the path of the seam and do another couple of cm more. Then I realized I could smooth out the next 2 cm, and so on, right down to the ankel. Since that worked, I returned to the other leg, and gave it a try from the ankel up, and sure enough managed to smooth out and fold under about 2 cm of seam at a time till I reached the part that I had already done. This won't be at all surprising to those of you who sew by machine regularly, but for so many years I sewed only Medieval costumes, and then only by hand, so I didn't think I would manage.
Now it is 22:25, so I should go to my yoga, take another hot shower, and get some sleep.
Project #1 was making a template for decorating my hammer dulcimer. I think I have mentioned before that in an attempt to learn to read music I am trying to colour-code it (A=red, B=purple, C=blue, D=green, E=yellow, F=orange, G=brown). At first I was doing the colouring of the music in a drawing program, but it turns out that the uni printers are calibrated way too differently from my monitor, so that the colours which are easy to distinguish on the screen are hard to tell apart when printed (especially the brown-purple-blue-green and the red-orange). Therefore I have given up on that and am instead just using colour pencils to write on printouts of the sheet music. I had had little coloured dots, printed from the computer, that I glued down to the bridges of the dulcimer, but the quality of glue stick is variable, and some dots were coming off, and see above about the difficulties in telling the colours apart. I could mostly manage anyway, since I know the sequence, so the one just above the yellow has to be the orange, but that sequence of several in a row that look nearly the same makes it harder.
Therefore I have decided to invest in some paint and do decorative little swirly bits on the bridges in the colours, and, while I am at it, make the ones that are sharp or flat look different from the ones that are natural. The first step was to order the paint. The other day I checked the Swedish art supply store that David orders from, and noticed they had some sets of acrylic paint, but none of them seemed to contain all of the colours I needed. Therefore I sent them an email explaining what I wanted, and why it was important to be able to tell the colours apart, and could they recommend to me which sets and/or individual colours I should order? I wrote in English, but included a sentence in Swedish at the end saying they were welcome to reply in Swedish if they like, as I have no problems reading it. Not much more than 24 hours later I got a reply, in English (the writer confessed that it is his native language) stating that since none of their sets actually contains purple, I would be better off ordering individual colours, and he gave me the list of product numbers to get the full set I need. As soon as I placed my order I also filled in their contact form thanking them for awesome customer service, and naming the guy who had written.
Since the paint has been ordered, it was time to decide exactly what I will be doing with the paint, so opened up an old drawing of my dulcimer, with strings labeled as to which is which, and added a new layer to actually draw the bridges (which I measured). Then I added another layer to design the swirly bits to paint onto the bridges, and coloured them on screen to see how it would look. I decided to go with making the sharps and flats have only a thin line connecting the top and bottom swirls, but the naturals have a wide bit in the middle, too. Easy to tell them apart, but not distracting, either.
Then I printed a black and white version of the bridges and swirls, coloured them in with my coloured pencils (which I can easily tell apart), and tried sliding them under the strings and onto the bridges. It turns out that my spacing of the bridges wasn't quite right, so I needed to print and colour a couple of times before I managed to have a perfectly sized strip to label the strings (I also had to scrape away the remaining old glued on dots). I have tried playing from sheet music with these swirls under the strings, and it works. It will look much better when I have replaced that paper with the painted swirls, though I am not looking forward to having to loosen all of the strings enough to push them off of the bridges to do the painting and then tightening them again to the correct note. I will need to do them only a few at a time, I think.
Once that was done I spent an hour curled up on the couch reading, took a nap, read some more, and then was inspired to do a long-procrastinated project. Back in about 1989 or so my then-boyfriend, George, had a pair of wool dress trouser that he didn't want any more (shrunk in the wash? wearing out? tired of them? I don't recall why, but he gave them to me). They were much too big in the waist (even in those days, when I was much chubbier than I am today), but with a safety pin to hold them on they did just fine as a layer over silk or wool tights for cross country skiing. I have used them for many years, and over time the fabric in the crotch wore thin and then gone. At some point, years ago, I kinda patched them from the inside with scraps of some other wool, but that wasn't working so well anymore, since the holes had grown. They got stuck into the mending closet some unknown amount of time back, and largely forgotten.
Till late this summer, when I wanted something to wear on my legs while working outside on a cool, rainy day. Then I remembered them, checked my clothes cupboard and couldn't find them, checked the mending cupboard, and there they were. Still too big, still with holes in the crotch, but over wool tights they were just fine for working outside in not so nice weather. This time as I overlapped the waist huge amounts before pinning them on it occurred to me that it might be possible to cut away fabric from the inside of the thighs to get rid of the holes and take them in to actually fit.
Today I remembered that, and thought I would give it a try. Sure enough, looking closely at the legs, the damage was concentrated in the crotch such that a straight line up the back of the leg, from the ankel to the waist would just miss the damaged area, and the part below the holes, but between that line and the original inner leg seam looked wide enough to make some triangle gores for the crotch. So I gave it a try, and three hours later I have a pair of trousers that fit. I might have liked the thighs to be a little looser, but that wasn't possible given the fabric I was starting with, and they aren't exactly tight. Much to my delight I was able to do the entire project on the treadle sewing machine. I had expected that I wouldn't be able to do the second pass of the flat-fled seams on the legs, but I managed it.
Thinking that I couldn't do the finishing of the legs, I decided to try part of it anyway, to reduce the amount of hand-sewing that would be needed, so I first finished the back seam from the waist to the crotch (I didn't do anything to the front seam--it still has the original zipper), then sewed shut both legs, the opened it up and, starting from mid-upper thigh, started finishing that flat-felled seam, expecting that I would be able to manage from there, across the crotch, and down to about the same spot on the other leg.
However when I reached that point I realized that I could managed to crumple up the fabric behind the sewing machine foot and smooth out the fabric in the path of the seam and do another couple of cm more. Then I realized I could smooth out the next 2 cm, and so on, right down to the ankel. Since that worked, I returned to the other leg, and gave it a try from the ankel up, and sure enough managed to smooth out and fold under about 2 cm of seam at a time till I reached the part that I had already done. This won't be at all surprising to those of you who sew by machine regularly, but for so many years I sewed only Medieval costumes, and then only by hand, so I didn't think I would manage.
Now it is 22:25, so I should go to my yoga, take another hot shower, and get some sleep.
(no subject)
Date: 2017-09-09 06:42 am (UTC)/Eva